JPEGMAFIA // PROTECT THE CROSSJPEGMAFIA shares ‘PROTECT THE CROSS’ ahead of his February UK shows: a track that fizzes with balls-to-the-wall intent
JPEGMAFIA // PROTECT THE CROSSJPEGMAFIA shares ‘PROTECT THE CROSS’ ahead of his February UK shows: a track that fizzes with balls-to-the-wall intent
On Eusexua, FKA twigs depicts a transcendent journey of hedonism, reflection and the yearning for human connection. The third studio album from
Big swings and (mostly) big hits on the New-Orleans artist’s experimental third album. Benjamin Booker is not an artist to whom subtlety
Wrought emotion conveyed through instrumentals in a way that no other band can touch. Mogwai are back. 2025 sees the Scottish noise
After being teased at Tyler, The Creator’s Camp Flog Gnaw Carnival in November, Mac Miller’s second posthumous album offers a window into
BICEP, ELIZA // CHROMA 008 TANGZA decade after BICEP first remixed ELIZA’s work, ‘CHROMA 008 TANGZ’ makes for a mesmerising composition pumped
Moonchild Sanelly first entered popular consciousness in the UK through collaborations with Ghetts and Ezra Collective. Collaborations that, although objectively good, in
“You know what the three most exciting sounds in the world are? Anchor chains, plane motors and train whistles.” – George Bailey
Ethel Cain returns to music with her new project, Perverts: an atmospheric record that is expertly crafted and drips with auto-erotic imagery.
serpentwithfeet // WRITHING IN THE WINDWith the follow-up to 2024 masterclass Grip (imaginatively titled Grip Sequel) dropping imminently, serpentwithfeet has shared the