Held over two days at Bristol’s Clifton Downs, FORWARDS 2024 brings together a diverse array of artists which span genres and generations while also providing a platform for discussions on pressing societal issues.
Despite the adverse weather, the infamously lively city maintains its high energy and commitment to its singularity – a hub where music and ideas intersect. The first day of FORWARDS Festival sets the stage for an extraordinary weekend, with a line-up that is as eclectic as it is engaging.
Romy, best known as one-third of The XX, opens the day with a performance which balances intimacy and electricity. Her ability to blend live pop with electronic elements creates an immersive, captivating atmosphere, in a set of weightless, ethereal vocals and seamless integration of DJing.
The afternoon continues with a captivating performance by Greentea Peng, who brings her psychedelic R&B to the already well-trodden field. A visual and auditory experience, her distinctive style and powerful vocal line resonates across Clifton Downs. Greentea’s music is deeply rooted in her personal and spiritual journey, a truth which is deftly reflected in her performance – a communal and embracing experience. It’s a set which is not just about the music but about connection; a conversation with festival attendees.
As the day turns to evening, Four Tet takes to the stage in one of the most anticipated performances of the festival. An exhilarating, emotionally resonant set; Kieran Hebden’s ability to weave together ever-expanding soundscape and a vast genre palette leaves the audience in awe. From pulsating tech beats to delicate ambient passages, Four Tet’s performance is a masterclass in musical storytelling and the energy in the crowd is palpable.
The day culminates with a headline performance by Loyle Carner; a set which is a masterful blend of introspective lyricism and infectious beats. Carner’s ability to connect with the audience is evident, frequently pauses to express his gratitude and amazement at the size and energy of the crowd.
What sets FORWARDS apart from other music festivals is its commitment to creating a space where music and ideas meet. In addition to the incredible line-up of artists, the festival offers a series of talks and discussions on a range of social issues, making it a festival with a conscience.
Festival-goers have the opportunity to attend a discussion with Akala, the renowned author and activist (who speaks about the current political climate in the UK), a panel on storytelling hosted by Channel 4 and highlights of youth activism. These discussions are a key part of the festival’s identity, reflecting its commitment to not only entertain but to engage. The festival is fully aware of its host-city: a hub of diversity, learning and community.
The second day of FORWARDS brings wet and windy conditions, with thunderstorms forcing the temporary shutdown of both stages amid safety concerns. Despite this, revellers spend the day racing between stages; there is little time for rest, but the abundance of impeccable live music kept my focus firmly on seeing as much of it as possible. Although the weekend boasts an impressive programme of talks and discussions, the live music lineup is too tempting to resist.
The second day of FORWARDS brings wet and windy conditions, with thunderstorms forcing the temporary shutdown of both stages amid safety concerns. Despite this, revellers spend the day racing between stages and there is little time for rest.
Although FORWARDS boasts an impressive programme of talks and discussions, the live music lineup proves too tempting to resist and vast crowds brave the weather, eager to experience as many performances as possible.
As the rain persists, CMAT bring her quirky blend of country-pop and sharp humour to the main stage to deliver a performance which is both fun and fearless. Clad in sunglasses and matching leopard print with her band, CMAT commands the stage with a mix of unbridled joy and undeniable coolness. However, midway through her track ‘Whatever’s Inconvenient‘, the music stops abruptly and a lightning warning flashes onscreen, with CMAT quickly ushered off stage. Despite the interruption, she returns with renewed energy, reigniting the day with crowd favourites like ‘I Wanna Be a Cowboy, Baby!‘ and ‘Stay For Something’.
Baxter Dury’s set is a whirlwind of oddity, with eccentric dance moves and offbeat humour adding a unique flavour to the day. His performance is both unpredictable and captivating: composing tales of love, life, and the irrationalities of existence against a backdrop of irresistible rhythms, backing vocals and melodies.
Yard Act bring their sardonic, post-punk-infused sound to life with an energetic performance. Known for their sharp social commentary and deadpan delivery, the Leeds band do not disappoint. Their set is marked by the signature wit and biting observations of frontman James Smith, who delivers both comedy and charisma. Despite the gloomy weather, Yard Act keep the energy high, with their driving rhythms and angular guitar riffs providing the perfect backdrop for Smith’s narrative-driven lyrics. The band’s ability to blend punk’s rebellious spirit with clever, often humorous social critiques resonates well with the distinct FORWARDS demographic, making their set a standout in the day’s lineup.
Jessie Ware offers a masterclass in pop performance. Her set is nothing short of a celebration, filled with moments of pure joy and exuberance. One of the highlights comes via an audacious cover of Cher’s ‘Believe’, sparking an impromptu singalong, with Ware’s powerful voice leading the charge. Beyond her vocal prowess, Ware’s development of a personal connection is a key feature of her armoury. And her ability to mix high-energy pop with moments of intimacy and connection makes for a performance which transcends the remit of a traditional festival set.
As the evening progresses, The Jesus and Mary Chain‘s legendary post-punk echoes around the Downs. Although their tenure opens with some technical difficulties, the band soon find their stride, delivering a set that is both raw and refined. Tracks like ‘Just Like Honey‘ and ‘I Hate Rock ‘n’ Roll’ remind everyone why The Jesus and Mary Chain remain a seminal force in rock music. Jim and William Reid deliver a masterclass in minimalism and power, proving their enduring captivation.
The final act of the festival, LCD Soundsystem provide a fitting conclusion to the weekend. It plays as a showcase of the band’s diversity; their funky psychedelic sound is preeminent during ‘Tonite’, their electronic stylings throughout ‘Someone Great‘, and James Murphy’s piano skills and rock vocals took shine during All My Friends. Despite a few omissions from their setlist, the performance is a powerful reminder of why LCD continue to be revered two decades into their career.
FORWARDS 2024 is an almost flawless success, offering a weekend of unforgettable performances, meaningful discussions, and a sense of community that is rare in today’s festival landscape. FORWARDS’ ability to bring together such a diverse and musically-endowed line-up of artists and spotlight its commitment to social issues is what sets it apart as one of the most forward-thinking events in the UK.
For those who attended, FORWARDS 2024 is more than just a weekend of music — it’s a celebration of culture, creativity, and community. As it looks to the future, there is no doubt that FORWARDS will continue to set the standard for what a music festival can and should be.
Imagery: Giugliotto
